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We’ve updated our Terms of Use. You can review the changes here.

Batman 1989 Michael Keaton Theme Epic TRAP Beat Instrumental

by Kyle Lawrence

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Fans Download: $2 (or more you get to name your price as a donation for making the beat.)

Non-Exclusive Mp3 + Wav Lease: $18 (for use on your mixtape, youtube videos, gameplay videos, amv's(animated music videos), fmvs(film music videos), instagram videos, tributes, dance videos, etc. giving credit to Kyle Lawrence as the producer. *Because this beat is a sample I'm not charging this price for this song. It's free for non-commercial use and available if fans wish to donate to me for making the beat.)

Tracked Out Beats: $100
(*enter your email in the message box and I'll send you the Tracked Out Stems + High Quality MP3 + WAV and additional conversions needed from bandcamp. This option will be available in the future for commercial use of my original beats. And if you ever lose the files you can always come back and redownload them at anytime.)



*BEAT PRICING EXPLAINED*

Non – Exclusive Lease (MP3) $18

This license is the cheapest option for buyers, and costs typically anywhere from $10 – $30. I only charge $18 for a lease. The beat can also be resold to other artists.

The buyer gets a mixed/unmastered MP3, usually with 1 or 2 beat tags. Beat tags are an audio watermark placed on beats to prevent replication and to help assign ownership to the producer.

This license is the most limited to the buyer in terms of usage. The license comes with a sales cap, and the artist won’t be able to use the beat for things like music videos, live performances, or radio airplay.

The producer keeps 100% of any royalties made from the track over the lease duration.

Premium Lease (WAV + MP3) $50

This is the second-tier option for non-exclusive buyers. The average price of these leases ranges anywhere from $50 to $80.

The buyer gets a mixed/unmastered WAV & MP3. Wav files have far superior quality than MP3’s and are necessary if the artist wishes to use the beat for mainstream radio and playlisting on streaming services.

The beat is tagged according to the seller’s preference. Producers also generally keep 100 % of any royalties made from the track.

This license comes with more perks than a non-exclusive lease. Artists gain the right to use the track for radio, live performances, music videos, streaming, etc.

The lease will still come with a limit on track sales and distribution.


Tracked Out Stems (Unlimited – Non-Exclusive) (WAV) $100

This lease is the most expensive non-exclusive license. Normally $200 in person, but I only charge $100 online for my tracked out beats.

(Building up a new catalog in order to be able to offer this service for all of my beats. Some beats I have in my catalog are older than others so some trackouts are not available anymore. So if you dont see this option for all the tracks yet there will be more available soon. I will post this tag that says trackout available under the beat.)

Buyers receive MP3, WAV, and tracked out stems of the beat.

This lease has the same perks as an exclusive license, only the producer still has the right to sell the beat to another buyer.


Exclusive Lease (WAV) $300

This is generally the most expensive license and is more of an outright sale. As the name suggests once the beat is leased under this license, the producer cannot sell it to another artist or entity.

Exclusive licenses usually start at around $300, but with the right reputation/experience, the seller could charge anywhere from $1000 to $30,000. The biggest major label producers (Kenny Beats, Metro Boomin, Murda Beatz) charge between $5000 and $15 000 per lease.

The buyer receives all audio content used to produce and create the beat. They get a mastered MP3, WAV, as well as the audio stems used in the best arrangement.

The buyer has full control over the beats usage and distribution. The seller usually negotiates this in return for credit, as well as royalty splits on things like publishing deals.

credits

released March 2, 2022

license

all rights reserved

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Kyle Lawrence Chicago, Illinois

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